Datei:The Temptations on the Ed Sullivan Show.JPG
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| BeschreibungThe Temptations on the Ed Sullivan Show.JPG |
English: 1969 Press Publicity Photograph
8" X 10" Original publicity still supplied by Bernie Ilson, Inc. / Publicity for Motown Records & The Ed Sullivan Show Left to right: Otis Williams, Melvin Franklin, Eddie Kendricks, Paul Williams, and Dennis Edwards |
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| Datum | On or about September 28, 1969 | |||
| Quelle | http://www.ebay.com/itm/THE-TEMPTATIONS-Press-Publicity-PHOTO-Motown-Dennis-Edwards-/350585721862?ssPageName=ADME:X:AAQ:US:1123 | |||
| Urheber | Bernie Ilson, Inc. | |||
| Andere Versionen |
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Lizenz
| Public domainPublic domainfalsefalse |
Dieses Werk ist in den Vereinigten Staaten gemeinfrei, weil es in den Vereinigten Staaten zwischen 1931 und 1977, einschließlich, ohne Copyright-Vermerk veröffentlicht wurde. Sofern der Autor nicht schon eine hinreichende Zeit tot ist, ist es in den Ländern oder Gebieten, die den Schutzfristenvergleich nicht anwenden, wie Kanada (70 pma), China (50 pma, nicht Hongkong oder Macao), Deutschland (70 pma), Mexiko (100 pma), Schweiz (70 pma), urheberrechtlich geschützt. Weitere Erläuterungen auf dieser Seite.
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Additional source information:
Bernie Ilson, Inc. has usually not included explicit copyright notices in its publicity photos, as shown in this 1983 photo of Susam Hammett and Michael Landon and another 1983 photo of Hammett.
As stated by film production expert Eve Light Honthaner in The Complete Film Production Handbook, (Focal Press, 2001 p. 211.):
- "Publicity photos (star headshots) have traditionally not been copyrighted. Since they are disseminated to the public, they are generally considered public domain, and therefore clearance by the studio that produced them is not necessary."
Nancy Wolff, includes a similar explanation:
- "There is a vast body of photographs, including but not limited to publicity stills, that have no notice as to who may have created them." (The Professional Photographer's Legal Handbook By Nancy E. Wolff, Allworth Communications, 2007, p. 55.)
Film industry author Gerald Mast, in Film Study and the Copyright Law (1989) p. 87, writes:
- "According to the old copyright act, such production stills were not automatically copyrighted as part of the film and required separate copyrights as photographic stills. The new copyright act similarly excludes the production still from automatic copyright but gives the film's copyright owner a five-year period in which to copyright the stills. Most studios have never bothered to copyright these stills because they were happy to see them pass into the public domain, to be used by as many people in as many publications as possible."
Kristin Thompson, committee chairperson of the Society for Cinema and Media Studies writes in the conclusion of a 1993 conference with cinema scholars and editors, that they "expressed the opinion that it is not necessary for authors to request permission to reproduce frame enlargements. . . [and] some trade presses that publish educational and scholarly film books also take the position that permission is not necessary for reproducing frame enlargements and publicity photographs."[1]
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| JPEG-Dateikommentar | Processed By eBay with ImageMagick, R1.1.1.||B2||T0JKX0lEPTRmNjc4MmQ3YTQ1YTAzMTkwNGY2Y2UxOWZlNTk0ODA1MDFiYWRjZDZiZjJhfHxTRUxMRVJfTkFNRT1wb29ybWFuc211c2ljfHxPUklHSU5BTF9FQkFZX1FVQUxJVFlfU0NPUkU9NHx8Q1JFQVRJT05fREFURT0zLzE4LzEzIDI6MTcgUE0= |
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| Speicherzeitpunkt | 23:35, 19. Mär. 2013 |
| Bild-ID | DE434E158A8B494DBBE3384CE562E1E4 |
| Software | Microsoft Photo Gallery 16.4.3505.912 |
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