The Eagles - Hotel California - 1976

Introduction

The Eagles - Hotel California - 1976 explores one of the best-known recordings in rock music. The title song first appeared on the Eagles' 1976 album Hotel California; it was released as a single in 1977. This distinction matters: 1976 is the album year, while the song's major chart run and its single release belong to 1977.

In this aiMOOC, you will study the recording as music, narrative, cultural document, and media object. You will learn how a repeated harmonic pattern, a carefully controlled arrangement, an ambiguous story, and an extended two-guitar coda work together. The course is suitable for upper-secondary learners, vocational education, and introductory university courses in English, music, media studies, or American studies.

Copyright-safe learning note: The complete lyrics are copyrighted and are not reproduced here. Listen through an authorized source and use a legally available lyric sheet when your teacher permits it. In your own work, quote only brief passages when genuinely necessary, identify the source, and prefer paraphrase and analysis.

The desert sunset above is not an illustration of a literal scene from the song. It is an open-licensed image that can help you examine how landscape, distance, heat, darkness, and travel create expectations before a story begins.

Learning goals: By the end of the course, you should be able to explain the song's historical context, identify key musical features, analyze narrative perspective and symbolism, compare interpretations using evidence, describe basic production choices, and create an original response without copying protected lyrics or music.

Basic fact	Information
Recording	“Hotel California” by Eagles
Album	Hotel California
Album year	1976
Single release	1977
Songwriters	Don Felder, Don Henley, and Glenn Frey
Producer	Bill Szymczyk
Main key	B minor
Lead vocal	Don Henley
Featured guitarists in the coda	Don Felder and Joe Walsh

Historical and Cultural Context

Eagles and the Southern California Sound

Eagles formed in Los Angeles in the early 1970s and became associated with a polished blend of country, folk, pop, and rock. By the time of Hotel California, the group had moved toward a heavier and more elaborate rock sound. Joe Walsh had joined the band, adding a distinctive electric-guitar voice, while Don Felder's guitar work was already central to the group's arrangements.

The recording lineup for the title track consisted of Don Henley, Glenn Frey, Don Felder, Joe Walsh, and Randy Meisner. Henley sang lead and played drums; Felder, Frey, and Walsh supplied different guitar colors; Walsh also played organ; and Meisner played bass. The arrangement depends less on one isolated instrument than on the precise way the parts interlock.

This photograph shows a later Eagles lineup in 2008, not the 1976 recording session. From left to right, it shows Glenn Frey, Don Henley, Joe Walsh, and Timothy B. Schmit. Use it as a reminder that a band's public image and membership can change while an older recording remains fixed.

Why 1976 Matters

The mid-1970s were a period of major commercial growth in the recording industry. Album-oriented rock encouraged artists to create extended tracks, coherent album concepts, detailed studio arrangements, and visually memorable packaging. FM radio could accommodate longer recordings than a typical short pop single, making a song of more than six minutes commercially possible.

The song also belongs to a period in which American popular culture often examined the distance between promise and reality. California could symbolize freedom, reinvention, beauty, celebrity, wealth, and opportunity. It could also symbolize artificiality, overconsumption, isolation, and loss of control. “Hotel California” works because it activates both sides of that cultural image without reducing them to a single lesson.

Album Year and Single Year

Hotel California was released as an album in 1976. The title track was issued as a single in February 1977 and reached number one on the Billboard Hot 100 in May 1977. At the 1978 Grammy Awards, the recording won Record of the Year. The difference between album date, single date, chart date, and award date is a useful exercise in historical accuracy.

Songwriting and Recording

From Instrumental Demo to Finished Song

Don Felder began with an instrumental demo built around the descending, circular harmonic idea. Don Henley and Glenn Frey developed the lyric concept and wording, while all three received songwriting credit. This collaborative process illustrates three distinct layers of songwriting:

Composition: Harmonic sequence, melodic possibilities, tempo, and instrumental character
Lyric writing: Narrative situation, imagery, voice, symbols, and thematic direction
Arrangement: Decisions about entrances, textures, dynamics, instrumental dialogue, and form

The song did not emerge from a single spontaneous performance. It developed through drafting, rehearsal, arrangement, studio experimentation, and editing. Treating a famous recording as a constructed work helps you hear choices that may otherwise seem inevitable.

In this interview, Don Felder describes the song's beginnings from his perspective. When using an interview as evidence, distinguish personal memory from independently verified chronology. A participant is a valuable primary source, but memory can be selective and later accounts can emphasize different parts of a collaborative process.

Production and Studio Craft

Bill Szymczyk produced the recording. Work took place at Criteria Studios in Miami and the Record Plant in Los Angeles. The production reflects analog multitrack practice: parts could be recorded separately, balanced, edited, and combined into a controlled stereo image.

The control-room image is generic and was not taken during the Eagles' sessions. It helps you visualize the producer's and engineer's task: monitoring recorded tracks, adjusting level and tone, positioning sounds in the stereo field, and deciding how the final mix should unfold.

Important production choices include:

Layering: Acoustic guitars, electric guitars, bass, drums, organ, vocals, and backing vocals occupy separate but connected roles
Stereo image: Guitar parts can answer one another across the listening space
Dynamic control: The performance grows in intensity without becoming chaotic
Timbre: Bright twelve-string sonorities contrast with darker bass, drums, organ, and distorted lead guitar
Editing: The final recording presents a continuous musical journey assembled through disciplined studio work

Don Henley's account emphasizes lyric writing and collaboration. Compare it with Felder's account. Ask what each speaker highlights, what each leaves out, and where the accounts support one another.

Musical Analysis

Tonality and Harmonic Design

The recording is centered on B minor. Its verse progression is commonly represented as:

Bm – F♯7 – A – E – G – D – Em – F♯7

A useful Roman-numeral reading is:

i – V7 – ♭VII – IV – ♭VI – ♭III – iv – V7

You do not need advanced theory to hear the effect. The progression repeatedly moves away from the home chord and returns to a tense dominant chord that points back toward B minor. Because the cycle restarts rather than fully settling, it can suggest travel, attraction, repetition, and confinement.

The chorus changes the order and emphasis of the chords. It begins with G and D before moving through F♯7 and B minor, then returns toward the dominant. This shift gives the chorus a broader, more open sound while preserving the same tonal world.

Twelve-String Sonority

The opening texture is strongly associated with a twelve-string guitar sound. On a twelve-string instrument, most strings are paired in octaves or unisons. The result is a bright, shimmering, chorus-like timbre. That sound is especially effective for arpeggios because each plucked note produces a wider spectrum than a single string.

Listen for the contrast between the clean, patterned introduction and the more forceful electric-guitar sound near the end. The arrangement turns timbre into storytelling: the opening invites you into the musical space, while the coda makes that space increasingly intense and difficult to leave.

Rhythm, Tempo, and Groove

The song uses a steady four-beat rock pulse at a moderate tempo. Don Henley's drumming remains controlled and economical. The groove avoids excessive fills, allowing the vocal narrative and harmonic sequence to remain clear. Bass and drums create forward motion, while syncopated guitar details prevent the texture from feeling mechanical.

Try counting one, two, three, four through a verse. Then listen for notes that begin before a strong beat or continue across it. These small displacements create momentum without disturbing the song's calm surface.

Form and Listening Map

A simplified listening map is:

Introduction: Repeated arpeggiated progression establishes key, mood, and instrumental color
Verse: The narrator enters and the setting develops
Chorus: The central place and its seductive public image become prominent
Further verses and choruses: The atmosphere becomes less welcoming and more restrictive
Guitar coda: Vocal storytelling gives way to extended instrumental dialogue
Fade-out: The harmonic cycle continues as the recording gradually disappears

The fade-out is more than a technical ending. It suggests that the music continues beyond the audible recording. In a song concerned with cycles and difficulty leaving, that production choice can support the thematic interpretation.

Vocal Delivery and Point of View

Don Henley's lead vocal is relatively restrained. Rather than acting every event dramatically, he delivers the story with clarity and measured tension. This creates distance between the narrator and the listener. You hear a first-person account, but you do not receive a complete explanation of who the narrator is, how reliable the account may be, or whether the setting is literal.

Backing vocals enlarge the chorus and make the hotel's welcome sound communal and polished. The contrast between an inviting group sound and an increasingly uneasy story is one of the recording's most effective devices.

The Two-Guitar Coda

The final section features Don Felder and Joe Walsh. They alternate lead phrases, answer each other, join in harmonized lines, and eventually play tightly coordinated arpeggiated figures. The coda demonstrates several ensemble skills:

Call and response: One guitarist proposes a phrase and the other replies
Motivic development: Short ideas are repeated, varied, and extended
Harmonization: Separate lead lines combine into one larger gesture
Phrasing: Bends, vibrato, articulation, and pauses shape musical meaning
Coordination: Precision creates excitement without sacrificing clarity

This Commons photograph shows a Telecaster associated with Joe Walsh; it is not documentation of the exact guitar used on the studio recording. It can support a discussion of how instruments become part of a performer's public identity.

The official 1977 live performance lets you compare stage realization with studio construction. Observe who plays which role, how the twelve-string part is produced live, how the singers coordinate, and how Felder and Walsh communicate during the final guitar section.

Narrative and Thematic Analysis

A Story with Missing Information

The song presents a traveler who enters an attractive but unsettling place. The narrative moves from approach, to welcome, to observation, to recognition that departure may not be simple. However, many details remain undefined. The text does not provide a complete map, a trustworthy host, or a final explanation.

This is an example of strategic ambiguity. The writer supplies enough concrete sensory detail to make the scene vivid, but withholds enough information to keep interpretation open. Your task is not to discover one secret answer. Your task is to build a reading that explains multiple details and acknowledges uncertainty.

Central Symbols

Symbol or motif	Possible function	Question for analysis
Road	Transition, search, escape, or loss of direction	Does movement represent freedom, or does it lead toward confinement?
Hotel	Temporary shelter, luxury system, social world, or psychological state	Why does a place designed for short stays feel permanent?
Light and darkness	Attraction, uncertainty, revelation, or deception	When does perception become knowledge?
Mirrors and surfaces	Self-image, performance, glamour, or distortion	Do appearances reveal identity or conceal it?
Feast and consumption	Pleasure, status, appetite, or excess	At what point does enjoyment become dependency?
Door and exit	Choice, control, consequence, or failed escape	Who controls entry and departure?

These are possible functions, not fixed answers. A symbol gains meaning from its position in the whole work, from recurring contrasts, and from the interpretation you can defend.

The Hotel as Allegory

An allegory allows a setting or story to represent a broader system of ideas. The hotel can be read as a model of the glamorous Los Angeles lifestyle, the entertainment industry, consumer culture, addiction, fame, adulthood, or a social environment that promises freedom while creating dependence.

The band members have repeatedly connected the song with excess, the high life in Los Angeles, and a movement from innocence toward experience. These comments make social and psychological readings stronger than claims that the song is a coded report about a specific supernatural event. Author commentary is helpful, but it does not end interpretation. A strong reading still explains how the music, narrative, imagery, and form support the claim.

A Real Hotel or an Imagined Place?

The visual identity of the album is associated with the Beverly Hills Hotel. Nevertheless, the song's setting should not automatically be treated as a literal description of that building. The hotel in the narrative functions primarily as an imaginative and symbolic space.

This open-licensed photograph shows the Beverly Hills Hotel in 2007. It is not the copyrighted album cover and does not prove that every event or detail in the song refers to this location. Use the image to compare real-world architecture with the mental image created by sound and language.

Major Interpretive Tensions

The song is built from oppositions that never resolve completely:

Welcome and warning: Hospitality coexists with unease
Freedom and captivity: Travel leads into a system that limits departure
Beauty and danger: Attractive surfaces conceal consequences
Pleasure and dependency: Consumption shifts from choice toward compulsion
Individual and group: A lone narrator encounters a collective social world
Reality and dream: Concrete detail coexists with surreal uncertainty

Choose one tension and trace it across music and narrative. For example, the major-sounding expansion in the chorus may feel welcoming, while the return to the dominant and minor tonic prevents complete security.

Language and Literary Techniques

Narrative Perspective

The first-person narrator gives the account immediacy but not certainty. A first-person speaker can report sensations accurately while misunderstanding their causes. Ask:

What does the narrator directly observe?
What does the narrator infer?
Which statements come from other voices?
What remains unexplained?
Does the narrator's understanding change?

These questions separate evidence from interpretation. That distinction is essential in literary analysis, journalism, history, and everyday media use.

Imagery and Sensory Detail

The writing activates sight, sound, smell, temperature, movement, and touch. Sensory details make the setting concrete before the listener understands its meaning. This technique creates immersion: you enter the atmosphere before you can evaluate it.

Create a two-column note sheet while listening. In the first column, record sensory categories without copying full lines. In the second, explain the emotional effect. For example, a detail connected with heat may imply discomfort, distance, or altered perception depending on its context.

Foreshadowing, Contrast, and Repetition

Foreshadowing introduces early details that gain importance later. Contrast places inviting and threatening features close together. Repetition makes the hotel's public message memorable while also suggesting a routine that has happened before.

The music reinforces these techniques. The recurring progression acts like structural repetition. The polished harmonies create attractive surfaces. The unresolved cycle and extended coda add pressure beneath that polish.

Ambiguity and Responsible Interpretation

Ambiguity does not mean that every interpretation is equally strong. Use three tests:

Textual support: Does the reading explain several details rather than one isolated word?
Contextual plausibility: Does it fit the documented cultural and creative context?
Explanatory power: Does it connect narrative, music, and structure without forcing contradictions?

Avoid presenting internet rumors as established facts. Label speculation clearly, identify the source, and compare it with interviews, credits, reputable music journalism, and the recording itself.

English-Language Learning Focus

Key Vocabulary

Term	Meaning in this course	Example of use
Ambiguity	Openness to more than one defensible meaning	The ending preserves ambiguity rather than explaining the setting.
Allegory	A narrative that can represent a wider system of ideas	The hotel can function as an allegory of excess.
Coda	A concluding musical section	The guitar coda extends the emotional climax.
Timbre	The characteristic quality or color of a sound	The twelve-string timbre is bright and shimmering.
Narrator	The voice through which a story is presented	The narrator reports events but cannot explain everything.
Motif	A recurring musical, verbal, or visual element	Travel is a recurring motif.
Production	The process of shaping a recorded performance	Stereo placement is part of production.
Paraphrase	Restating meaning in new words	A paraphrase avoids copying the original lyric.
Evidence	Information used to support a claim	The repeated harmonic cycle is evidence for a reading of entrapment.
Interpretation	A reasoned explanation of meaning	A strong interpretation acknowledges alternative readings.

Useful Analytical Sentence Frames

Use these structures in discussion and writing:

The recording creates a sense of ... through ...
The image of ... may symbolize ..., because ...
This interpretation is stronger than ... because it explains ...
The contrast between ... and ... suggests ...
The guitar coda changes the listener's experience by ...
The source is useful for ... but limited because ...

From Observation to Argument

A strong analytical paragraph can follow this pattern:

Claim: State a focused interpretation
Evidence: Refer to a musical feature, narrative event, image, or reliable source
Reasoning: Explain how the evidence supports the claim
Qualification: Recognize uncertainty or an alternative reading
Link: Connect the paragraph to the larger argument

Example without quoting lyrics: The hotel can represent a system of glamorous excess because the narrative repeatedly combines luxury with reduced personal control. The polished chorus and cyclic harmony strengthen this reading, although the setting can also be understood psychologically rather than socially.

Guided Listening Workshop

Before Listening

Look at the desert image, the hotel photograph, and the title. Write three predictions about setting, mood, and conflict. Then label each prediction as based on visual evidence, cultural association, or personal expectation.

First Listening: Overall Experience

Listen without stopping. Record only brief notes on mood, changes of intensity, and the moment when the voice gives way to the extended guitar ending. Do not try to analyze every detail at once.

Afterward, summarize the journey in no more than fifty words. Your summary should describe change over time rather than list instruments.

Second Listening: Musical Layers

Focus on one layer at a time:

First pass: drums and bass
Second pass: acoustic and electric rhythm guitars
Third pass: lead vocal and backing vocals
Fourth pass: organ and background texture
Fifth pass: the interaction between the two lead guitars

Create a timeline using section names rather than exact timestamps. Mark where the texture becomes denser, where backing vocals enter, and where the instrumental dialogue takes control.

Third Listening: Narrative Development

Using an authorized lyric display, paraphrase each major stage in your own words. Do not copy complete lines. Identify the point at which the narrator's attitude changes most clearly. Then explain whether the music changes at the same moment or creates tension by remaining controlled.

Fourth Listening: The Coda

During the coda, use arrows to map which guitar appears to lead, answer, join, or support. You do not need to identify every note. Concentrate on musical conversation. Explain how repetition can increase intensity even when the harmony is familiar.

Reception and Legacy

“Hotel California” reached number one on the Billboard Hot 100 in 1977. The recording won Record of the Year at the 20th Annual Grammy Awards in 1978 and entered the Grammy Hall of Fame in 2003. These honors measure institutional and commercial recognition, but they do not by themselves explain artistic value.

The recording's lasting reputation comes from the interaction of accessible and complex elements: a memorable harmonic cycle, clear storytelling, ambiguous meaning, controlled studio sound, vocal harmonies, and an extended guitar conclusion that rewards close listening.

The turntable represents the album era in which listeners often experienced songs as part of a sequenced LP. Compare that focused format with streaming, playlists, short-form video, and algorithmic recommendations. Ask how the medium changes attention, context, and interpretation.

Media Literacy, Sources, and Copyright

A responsible study of a famous song should separate different source types:

Primary source: The authorized recording, contemporary performance, credits, or interview with a participant
Secondary source: Reputable historical, musical, or critical analysis
Reference source: Discography, chart archive, award database, or encyclopedia
Fan interpretation: Potentially insightful but not automatically verified
Commercial content: Material designed partly to sell products, tickets, subscriptions, or attention

When two participants remember collaboration differently, do not force a false certainty. Report agreement, disagreement, and the limits of the available evidence.

Copyright protects the song's lyrics and recording. You may analyze ideas, musical features, facts, and brief necessary excerpts under the rules that apply in your location and institution. You should not upload the complete recording, publish full lyrics, or present a copied arrangement as your own. Create transformations that add original analysis, commentary, performance choices, or new composition.

Summary

“Hotel California” is both a carefully engineered rock recording and an open-ended narrative. Its 1976 album context, 1977 single success, collaborative authorship, B-minor harmonic world, twelve-string opening, controlled groove, layered vocals, and Felder-Walsh guitar coda are central to its construction.

The song's hotel is most productive as a symbolic space rather than a puzzle with one literal solution. It can represent glamour, excess, dependency, disillusionment, or the movement from innocence toward experience. Your best interpretation will connect specific musical and narrative evidence, use reliable sources, and state uncertainty honestly.

Interactive Tasks

Quiz: Test Your Knowledge

In which year did the album Hotel California first appear? (1976) (!1975) (!1977) (!1978)

Who created the instrumental demo that developed into Hotel California? (Don Felder) (!Don Henley) (!Randy Meisner) (!Bill Szymczyk)

Who produced the recording? (Bill Szymczyk) (!George Martin) (!Quincy Jones) (!Brian Eno)

What is the main key of the recording? (B minor) (!C major) (!E flat major) (!F minor)

Which instrument gives the introduction its shimmering paired-string quality? (Twelve-string guitar) (!Mandolin) (!Saxophone) (!Harpsichord)

Who sings the lead vocal on the studio recording? (Don Henley) (!Glenn Frey) (!Joe Walsh) (!Randy Meisner)

Which two guitarists are featured in the extended coda? (Don Felder and Joe Walsh) (!Glenn Frey and Randy Meisner) (!Don Henley and Bill Szymczyk) (!Bernie Leadon and Timothy Schmit)

Which description best fits the song's narrative method? (Ambiguous first-person storytelling) (!Objective scientific reporting) (!Comic dialogue without a narrator) (!A complete historical chronology)

Which award did the recording win at the 1978 Grammy Awards? (Record of the Year) (!Album of the Year) (!Best New Artist) (!Best Spoken Word Album)

Why is the fade-out thematically significant? (It lets the musical cycle seem to continue) (!It changes the song into a march) (!It removes every guitar part) (!It proves the story is literal)

Memory Game

Allegory	A story or setting that can represent a wider system of ideas
Coda	A concluding musical section
Timbre	The characteristic color or quality of a sound
Narrator	The voice through which a story is presented
Arpeggio	Notes of a chord played one after another
Producer	Person who guides the shaping of a recording
Paraphrase	Restatement of meaning in new words
Ambiguity	Openness to more than one defensible meaning

Drag and Drop

Match the correct terms.	Topic
B minor	Tonal center of the recording
Bill Szymczyk	Producer of the recording
Twelve-string guitar	Shimmering sound in the introduction
Call and response	Alternating musical dialogue in the coda
Strategic ambiguity	Deliberate withholding of a single final explanation

Match each term with the description that identifies its role in the song.

Crossword Puzzle

Felder	Which songwriter created the original instrumental demo?
Henley	Which band member sang the lead vocal?
Szymczyk	What is the surname of the producer?
Allegory	What term describes a story representing wider ideas?
Arpeggio	What term means chord notes played successively?
California	Which place name appears in the song title?

LearningApps

Cloze Text

The song first appeared on an album released in

. Its tonal center is

. Don Felder began the work as an instrumental

. Don Henley and Glenn Frey helped develop the

. Bill Szymczyk served as the recording's

. A twelve-string guitar gives the introduction a shimmering

. Don Henley performs the lead

. Don Felder and Joe Walsh shape the extended guitar

. The hotel can be interpreted as an

. A strong interpretation connects claims with musical and narrative

.

Open-Ended Tasks

Easy

Mood Map: Create a one-page map showing how the mood changes from the introduction to the fade-out; use section names, adjectives, and simple symbols.
Instrument Cards: Make illustrated cards for five instruments heard in the recording and explain each instrument's function in one sentence.
Narrative Summary: Retell the song's story in 120 original words without copying any lyric line.
Sound and Image Collage: Combine open-licensed images that represent travel, glamour, uncertainty, and confinement, then write a caption explaining your choices.

Standard

Listening Timeline: Produce a detailed timeline of the recording with sections, texture changes, vocal entries, and guitar interactions.
Source Interview: Interview a musician, producer, teacher, or long-term listener about the song, then compare personal memory with two reliable published sources.
Interpretation Podcast: Record a three-minute podcast defending one interpretation and acknowledging one plausible alternative.
Coda Performance Study: Learn or diagram a short, teacher-approved part of the guitar interaction and explain how call and response creates momentum.

Advanced

Harmonic Analysis Project: Analyze the verse and chorus progressions with chord symbols and Roman numerals, then explain how harmonic return supports the narrative.
Production Reconstruction: Use a digital audio workstation and original musical material to recreate the song's gradual layering strategy without copying its melody or recording.
Comparative Allegory Essay: Compare the symbolic hotel with a setting from another literary or musical work, using a clear thesis and evidence from both works.
Media History Documentary: Create a five-minute documentary on how album culture, FM radio, music video, streaming, and social media have changed the reception of long rock songs.

Learning Assessment

Evidence-Based Interpretation: Write an essay that connects one central claim to at least two musical features, two narrative features, and one reliable contextual source.
Source Evaluation: Compare an artist interview, an award database, a chart archive, and a fan theory; explain what each can and cannot establish.
Listening Transfer: Apply the course's listening-map method to a different song with an extended instrumental ending and justify the comparison.
Production Reasoning: Propose a different ending for the song and predict how it would change the themes of repetition, control, and departure.
Language Analysis: Explain how first-person perspective, sensory imagery, foreshadowing, and ambiguity shape the listener's knowledge.
Creative Transformation: Produce an original visual, audio, or video response and submit a commentary identifying source material, original choices, and copyright considerations.

Evidence of Learning

Knowledge

You can distinguish the 1976 album release from the 1977 single and chart history.
You can identify the credited songwriters, producer, principal performers, key, and major formal sections.
You can explain allegory, ambiguity, timbre, arpeggio, coda, call and response, and fade-out.

Skills

You can create a listening map and describe changes in texture, dynamics, harmony, and instrumental role.
You can separate observation, inference, author commentary, and unsupported speculation.
You can build an interpretation from evidence and qualify claims where certainty is impossible.
You can paraphrase copyrighted text rather than reproduce it.

Products

A completed analytical paragraph or essay
A listening timeline, harmonic map, or source-comparison chart
An original presentation, podcast, collage, performance study, or documentary
A bibliography identifying reliable and appropriately licensed materials

Transfer achievements

You can apply the same analytical method to another song, film scene, poem, advertisement, or narrative.
You can evaluate how production and distribution media shape meaning.
You can collaborate responsibly, credit sources, and make copyright-aware creative decisions.

OERs on the Topic

The following resources support verification and further study:

Eagles official releases: Official album context and track information
20th Annual Grammy Awards: Award record for the 1978 ceremony
Billboard Hot 100 archive: Chart position for the week of May 7, 1977
Sound on Sound Classic Tracks: Recording and production history
Wikimedia Commons category for Eagles: Open-licensed band media
Wikimedia Commons twelve-string guitars: Open media for instrument study
Eagles official YouTube channel: Authorized audio and performance video

When you use an OER, check the individual license, author, and attribution requirements. A resource being free to view does not automatically make it free to remix.

Linked Learning Areas

Hotel California

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