Datei:U2 (1987 Island Records Publicity Photo).jpg

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Beschreibung

Beschreibung	English: Irish band U2, in a 1987 publicity photo promoting its album The Joshua Tree, part of the photoshoot made by Anton Corbijn. From left to right: Larry Mullen, Adam Clayton, The Edge, Bono. Français : U2 sur une photo promotionnelle pour l'album The Joshua Tree, issue d'une séance réalisée par Anton Corbijn près du Harmony Motel à Twentynine Palms en Californie, entre le 14 et le 16 décembre 1986, et publiée en 1987. De gauche à droite : Larry Mullen, Adam Clayton, The Edge et Bono.
Datum	Photograph taken in December 1986, published in 1987
Quelle	Press Kits: https://www.ebay.com/itm/196918981539 https://www.ebay.com/itm/153725278638 https://www.ebay.com/itm/226455217773 HQ: https://imageio.forbes.com/blogs-images/hughmcintyre/files/2017/01/Screenshot-2017-01-18-at-12.38.56-PM-1200x768.png?format=png&width=1440
Urheber	Anton Corbijn, Distributed by Island Records
Genehmigung (Weiternutzung dieser Datei)	English: No permission is required for the following reasons: A search was conducted through the U.S. Copyright Office public catalog, and there is NO record that this was subsequently registered within 5 years of publication. As such, the opportunity for copyright protection on the photo was forfeited and it entered the public domain. No Copyright registry of this picture was made by Island Records, U2 or Anton Corbijn. The source images linked above are mechanical scans of the underlying public domain work. These scans are faithful reproductions of the photograph that do not meet the threshold of originality necessary to assert a copyright interest. The photo has no copyright markings on it as can be seen in the links above. Searches of the album on Discogs and Ebay of The Joshua Tree don't feature any releases of this exact picture, while other pictures of the Corbijn photoshoot are included and were Copyrighted, this exact picture was only used for promotional purposes. United States Copyright Office page 2 "Visually Perceptible Copies The notice for visually perceptible copies should contain all three elements described below. They should appear together or in close proximity on the copies. 1 The symbol © (letter C in a circle); the word “Copyright”; or the abbreviation “Copr.” 2 The year of first publication. If the work is a derivative work or a compilation incorporating previously published material, the year date of first publication of the derivative work or compilation is sufficient. Examples of derivative works are translations or dramatizations; an example of a compilation is an anthology. The year may be omitted when a pictorial, graphic, or sculptural work, with accompanying textual matter, if any, is reproduced in or on greeting cards, postcards, stationery, jewelry, dolls, toys, or useful articles. 3 The name of the copyright owner, an abbreviation by which the name can be recognized, or a generally known alternative designation of owner. Example: "© 2007 Jane Doe." English: This is a publicity still taken and publicly distributed to promote the subject or a work relating to the subject. As stated by film production expert Eve Light Honthaner in The Complete Film Production Handbook (Focal Press, 2001, p. 211.): "Publicity photos (star headshots) have traditionally not been copyrighted. Since they are disseminated to the public, they are generally considered public domain, and therefore clearance by the studio that produced them is not necessary." Nancy Wolff, in The Professional Photographer's Legal Handbook (Allworth Communications, 2007, p. 55.), notes: "There is a vast body of photographs, including but not limited to publicity stills, that have no notice as to who may have created them." Film industry author Gerald Mast, in Film Study and the Copyright Law (1989, p. 87), writes: "According to the old copyright act, such production stills were not automatically copyrighted as part of the film and required separate copyrights as photographic stills. The new copyright act similarly excludes the production still from automatic copyright but gives the film's copyright owner a five-year period in which to copyright the stills. Most studios have never bothered to copyright these stills because they were happy to see them pass into the public domain, to be used by as many people in as many publications as possible." Kristin Thompson, committee chairperson of the Society for Cinema and Media Studies writes in the conclusion of a 1993 conference of cinema scholars and editors[1], that: "[The conference] expressed the opinion that it is not necessary for authors to request permission to reproduce frame enlargements... [and] some trade presses that publish educational and scholarly film books also take the position that permission is not necessary for reproducing frame enlargements and publicity photographs."

Lizenz

Dieses Werk ist in den Vereinigten Staaten gemeinfrei, weil es in den Vereinigten Staaten zwischen 1978 und dem 1. März 1989 ohne Copyright-Vermerk veröffentlicht wurde und anschließend das Copyright nicht innerhalb von 5 Jahren beim US Copyright Office registriert wurde. Sofern der Autor nicht schon eine hinreichende Zeit tot ist, ist es in den Ländern oder Gebieten, die den Schutzfristenvergleich nicht anwenden, wie Kanada (70 pma), China (50 pma, nicht Hongkong oder Macao), Deutschland (70 pma), Mexiko (100 pma), Schweiz (70 pma), urheberrechtlich geschützt. Weitere Erläuterungen sind auf dieser Seite zu finden.

Sofern der Urheber dieses Werkes nicht seit mindestens 70 Jahren tot ist, ist das Werk in Deutschland, Österreich und der Schweiz – außer es greifen andere Regelungen – urheberrechtlich geschützt, da der Schutzfristenvergleich nicht angewendet wird. Daher darf diese Datei in deutschsprachigen Wikimedia-Projekten wie der Wikipedia oder dem Wiktionary möglicherweise nicht verwendet werden. Siehe zur Verwendung unbedingt Wikipedia:Bildrechte! Falls danach nicht zulässig, müssen die Einbindungen entfernt werden.

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