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		<summary type="html">&lt;p&gt;aiMOOC über GPT aiMOOC Action erstellt&lt;/p&gt;
&lt;p&gt;&lt;b&gt;Neue Seite&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{T}}&lt;br /&gt;
&lt;br /&gt;
{{BR}}&lt;br /&gt;
= ABI - Intonation for argument and interaction =&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Mini-description:&amp;#039;&amp;#039;&amp;#039; Use &amp;#039;&amp;#039;&amp;#039;stress&amp;#039;&amp;#039;&amp;#039; and &amp;#039;&amp;#039;&amp;#039;intonation&amp;#039;&amp;#039;&amp;#039; for &amp;#039;&amp;#039;&amp;#039;emphasis, contrast, qualification, politeness and disagreement&amp;#039;&amp;#039;&amp;#039;. This aiMOOC is designed for &amp;#039;&amp;#039;&amp;#039;Basisfach (BF) and Leistungsfach (LF) English in the Kursstufe in Baden-Württemberg&amp;#039;&amp;#039;&amp;#039;. English comes first. German help is used only after context, visualisation, word formation, an English explanation and dictionary work.&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Level:&amp;#039;&amp;#039;&amp;#039; mainly B2, with selected C1-oriented analysis and interaction tasks. The aim is not an artificial “native-speaker” standard but clear, purposeful and situation-appropriate communication.&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;BF/LF principle:&amp;#039;&amp;#039;&amp;#039; BF works with fewer examples, shorter material and more scaffolding. LF connects more material, analyses subtler meaning, works more independently and spends more time in AFB II/III.&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Privacy and AI:&amp;#039;&amp;#039;&amp;#039; Use fictional data. Recording yourself is voluntary and should stay private unless you explicitly agree otherwise. Do not upload recordings or personal data without permission. If you use AI for feedback, verify its claims, sources and language level. AI may support revision, but it must not replace your own analysis, speaking or writing.&lt;br /&gt;
&lt;br /&gt;
[[Datei:SP 25 black text.png|600px|rahmenlos|center]]&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Media warm-up:&amp;#039;&amp;#039;&amp;#039; Before reading explanations, look at the pitch line in the visual. What changes when a voice moves up and down? What might become prominent?&lt;br /&gt;
&lt;br /&gt;
{{#ev:youtube|   https://www.youtube.com/watch?v=A6aE4nceJt8   |600|center}}&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;First viewing:&amp;#039;&amp;#039;&amp;#039; Watch only the opening part. Do not translate. Note three things a speaker can change with intonation.&lt;br /&gt;
&lt;br /&gt;
{{BR}}&lt;br /&gt;
= I-can goals =&lt;br /&gt;
&lt;br /&gt;
By the end of the course, you can say:&lt;br /&gt;
&lt;br /&gt;
# [[Intonation|I can notice intonation]]: I can hear whether pitch rises, falls or changes direction.&lt;br /&gt;
# [[Sentence stress|I can use sentence stress]]: I can make one part of an utterance more prominent.&lt;br /&gt;
# [[Emphasis|I can create emphasis]]: I can signal what matters most without simply speaking louder.&lt;br /&gt;
# [[Contrast|I can create contrast]]: I can move stress to correct, compare or oppose ideas.&lt;br /&gt;
# [[Qualification|I can qualify a claim]]: I can sound less absolute by combining careful wording with appropriate prosody.&lt;br /&gt;
# [[Politeness|I can sound appropriately polite]]: I can use pitch, stress and softening language together.&lt;br /&gt;
# [[Disagreement|I can disagree constructively]]: I can challenge an idea without attacking the person.&lt;br /&gt;
# [[Analyse|I can analyse interaction]]: I can connect wording, stress, pitch movement and communicative effect.&lt;br /&gt;
# [[Sprechen|I can interact under pressure]]: I can respond, clarify, qualify and continue a discussion.&lt;br /&gt;
# [[Schreiben|I can transfer spoken nuance into writing]]: I can replace vocal emphasis with wording, syntax and punctuation when needed.&lt;br /&gt;
&lt;br /&gt;
{{BR}}&lt;br /&gt;
= What do you already know? =&lt;br /&gt;
&lt;br /&gt;
Say the sentence &amp;#039;&amp;#039;&amp;#039;I didn&amp;#039;t say she copied the report.&amp;#039;&amp;#039;&amp;#039; several times. Each time, stress a different word.&lt;br /&gt;
&lt;br /&gt;
# What changes?&lt;br /&gt;
# Which version sounds like a correction?&lt;br /&gt;
# Which version suggests another person?&lt;br /&gt;
# Which version suggests another action?&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Do not translate first.&amp;#039;&amp;#039;&amp;#039; Use the situation and the stressed word to infer the intended contrast.&lt;br /&gt;
&lt;br /&gt;
[[Datei:IPA in IPA stress.svg|500px|rahmenlos|center]]&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;English help:&amp;#039;&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;stress&amp;#039;&amp;#039;&amp;#039; makes a syllable or word more prominent. Prominence can involve pitch, duration, loudness and clearer vowel quality.&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Dictionary routine:&amp;#039;&amp;#039;&amp;#039; context → word family → English learner&amp;#039;s dictionary → pronunciation/audio → only then German help.&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;German help if still needed:&amp;#039;&amp;#039;&amp;#039; Satzakzent hebt einen Teil der Äußerung hervor. Intonation beschreibt vor allem den Tonhöhenverlauf.&lt;br /&gt;
&lt;br /&gt;
{{BR}}&lt;br /&gt;
= Media start: hear the difference =&lt;br /&gt;
&lt;br /&gt;
{{#ev:youtube|   https://www.youtube.com/watch?v=rnJCKda4oWU   |600|center}}&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Listening/Viewing task – sentence stress&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
# First watch: What is the main idea?&lt;br /&gt;
# Second watch: Which kinds of words are often stressed?&lt;br /&gt;
# Third watch: Find one example where moving stress changes the meaning.&lt;br /&gt;
# Shadow one short example privately. Copy the rhythm, not the speaker&amp;#039;s identity or accent.&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;BF:&amp;#039;&amp;#039;&amp;#039; Choose one example and explain the change in meaning in 2–3 sentences.&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;LF:&amp;#039;&amp;#039;&amp;#039; Compare two examples and explain how prominence changes the information structure.&lt;br /&gt;
&lt;br /&gt;
{{BR}}&lt;br /&gt;
= Core idea: meaning is not only in the words =&lt;br /&gt;
&lt;br /&gt;
In interaction, the same wording can perform different functions depending on &amp;#039;&amp;#039;&amp;#039;prominence&amp;#039;&amp;#039;&amp;#039; and &amp;#039;&amp;#039;&amp;#039;pitch movement&amp;#039;&amp;#039;&amp;#039;.&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Example:&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
A: You support the first proposal.&lt;br /&gt;
&lt;br /&gt;
B1: I &amp;#039;&amp;#039;&amp;#039;DO&amp;#039;&amp;#039;&amp;#039; support it.  &lt;br /&gt;
B2: I do support the &amp;#039;&amp;#039;&amp;#039;FIRST&amp;#039;&amp;#039;&amp;#039; proposal.  &lt;br /&gt;
B3: I do support the first proposal↘  &lt;br /&gt;
B4: I do support the first proposal↘↗&lt;br /&gt;
&lt;br /&gt;
Possible effects depend on context. B1 may correct doubt. B2 contrasts the first proposal with another one. A final fall can sound complete or firm. A fall-rise can leave room for a qualification such as “but not every detail”.&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Important:&amp;#039;&amp;#039;&amp;#039; These are tendencies, not mechanical rules. Intonation depends on speaker, variety, relationship, context and intention.&lt;br /&gt;
&lt;br /&gt;
[[Datei:SgE-Intonation.svg|600px|rahmenlos|center]]&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Visualisation task:&amp;#039;&amp;#039;&amp;#039; The line above is a real pitch-contour visualisation from research on Singapore English. You do not need to decode every symbol. Identify where pitch moves noticeably and ask: Which syllables might sound prominent?&lt;br /&gt;
&lt;br /&gt;
{{BR}}&lt;br /&gt;
= Key vocabulary in context =&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
! Word&lt;br /&gt;
! Word family&lt;br /&gt;
! English explanation&lt;br /&gt;
! Interaction example&lt;br /&gt;
|-&lt;br /&gt;
| &amp;#039;&amp;#039;&amp;#039;stress&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
| stress – stressed – unstressed&lt;br /&gt;
| extra prominence on a syllable or word&lt;br /&gt;
| Stress &amp;#039;&amp;#039;&amp;#039;evidence&amp;#039;&amp;#039;&amp;#039; if the evidence is your key point.&lt;br /&gt;
|-&lt;br /&gt;
| &amp;#039;&amp;#039;&amp;#039;prominence&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
| prominent – prominently – prominence&lt;br /&gt;
| perceptual salience: what stands out&lt;br /&gt;
| Make the correction prominent.&lt;br /&gt;
|-&lt;br /&gt;
| &amp;#039;&amp;#039;&amp;#039;emphasis&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
| emphasise – emphasis – emphatic&lt;br /&gt;
| added force or importance&lt;br /&gt;
| “I &amp;#039;&amp;#039;&amp;#039;really&amp;#039;&amp;#039;&amp;#039; mean this.”&lt;br /&gt;
|-&lt;br /&gt;
| &amp;#039;&amp;#039;&amp;#039;contrast&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
| contrast – contrasting – contrastive&lt;br /&gt;
| a difference highlighted against another option&lt;br /&gt;
| “Tuesday, not &amp;#039;&amp;#039;&amp;#039;Thursday&amp;#039;&amp;#039;&amp;#039;.”&lt;br /&gt;
|-&lt;br /&gt;
| &amp;#039;&amp;#039;&amp;#039;qualification&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
| qualify – qualified – qualification&lt;br /&gt;
| limiting or making a claim more precise&lt;br /&gt;
| “That is useful↘↗ in some cases.”&lt;br /&gt;
|-&lt;br /&gt;
| &amp;#039;&amp;#039;&amp;#039;politeness&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
| polite – politely – politeness&lt;br /&gt;
| language choices that manage social relationships&lt;br /&gt;
| “Could we perhaps reconsider that?”&lt;br /&gt;
|-&lt;br /&gt;
| &amp;#039;&amp;#039;&amp;#039;disagreement&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
| disagree – disagreement – disagreeing&lt;br /&gt;
| expressing a different view&lt;br /&gt;
| “I see your point, but I read the data differently.”&lt;br /&gt;
|-&lt;br /&gt;
| &amp;#039;&amp;#039;&amp;#039;hedging&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
| hedge – hedged – hedging&lt;br /&gt;
| reducing certainty or directness&lt;br /&gt;
| “It seems”, “perhaps”, “to some extent”.&lt;br /&gt;
|-&lt;br /&gt;
| &amp;#039;&amp;#039;&amp;#039;stance&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
| stance – take a stance&lt;br /&gt;
| a speaker&amp;#039;s position or attitude&lt;br /&gt;
| A cautious stance may use qualification.&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Word-building check:&amp;#039;&amp;#039;&amp;#039; Which suffix turns &amp;#039;&amp;#039;&amp;#039;polite&amp;#039;&amp;#039;&amp;#039; into a noun? Which suffix turns &amp;#039;&amp;#039;&amp;#039;emphasise&amp;#039;&amp;#039;&amp;#039; into a noun? Which prefix creates &amp;#039;&amp;#039;&amp;#039;disagree&amp;#039;&amp;#039;&amp;#039;?&lt;br /&gt;
&lt;br /&gt;
{{BR}}&lt;br /&gt;
= Listening lab: what does the voice do? =&lt;br /&gt;
&lt;br /&gt;
[[Datei:Intonation (linguistics).ogg|600px|center]]&lt;br /&gt;
&lt;br /&gt;
Listen to a short part of the spoken Wikimedia article.&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Task:&amp;#039;&amp;#039;&amp;#039; Do not write a transcript. Instead, mark only:&lt;br /&gt;
# ↗ for a rise&lt;br /&gt;
# ↘ for a fall&lt;br /&gt;
# CAPITALS for the word that sounds most prominent&lt;br /&gt;
# / for a noticeable chunk boundary&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Why this matters:&amp;#039;&amp;#039;&amp;#039; In the Abitur context, listening is about extracting meaning and function, not mechanically copying every word.&lt;br /&gt;
&lt;br /&gt;
{{BR}}&lt;br /&gt;
= Stress for emphasis and contrast =&lt;br /&gt;
&lt;br /&gt;
Sentence stress is flexible. A speaker can move prominence to signal new information, correction or contrast.&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Neutral:&amp;#039;&amp;#039;&amp;#039; We should review the proposal tomorrow.  &lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Correction:&amp;#039;&amp;#039;&amp;#039; We should review the &amp;#039;&amp;#039;&amp;#039;PROPOSAL&amp;#039;&amp;#039;&amp;#039; tomorrow, not the timetable.  &lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Time contrast:&amp;#039;&amp;#039;&amp;#039; We should review the proposal &amp;#039;&amp;#039;&amp;#039;TOMORROW&amp;#039;&amp;#039;&amp;#039;, not today.  &lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Actor contrast:&amp;#039;&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;WE&amp;#039;&amp;#039;&amp;#039; should review it, not the external team.&lt;br /&gt;
&lt;br /&gt;
{{#ev:youtube|   https://www.youtube.com/watch?v=vkgMFZMBfqQ   |600|center}}&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Viewing task:&amp;#039;&amp;#039;&amp;#039; Note one technique for practising intonation and one example of contrastive stress.&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;BF support:&amp;#039;&amp;#039;&amp;#039; Complete: “Stress changes the focus because ...”&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;LF extension:&amp;#039;&amp;#039;&amp;#039; Explain the difference between grammatical sentence stress and contrastive prominence. Use your own example.&lt;br /&gt;
&lt;br /&gt;
{{BR}}&lt;br /&gt;
= Intonation for qualification =&lt;br /&gt;
&lt;br /&gt;
Qualification prevents a claim from sounding more absolute than intended.&lt;br /&gt;
&lt;br /&gt;
Compare:&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;A:&amp;#039;&amp;#039;&amp;#039; This solution works.↘  &lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;B:&amp;#039;&amp;#039;&amp;#039; This solution works↘↗ in small groups.  &lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;C:&amp;#039;&amp;#039;&amp;#039; It &amp;#039;&amp;#039;&amp;#039;CAN&amp;#039;&amp;#039;&amp;#039; work↘↗ if the instructions are clear.&lt;br /&gt;
&lt;br /&gt;
Version A may sound complete and firm. B and C build in limits. The wording matters, but prosody can reinforce the qualification.&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Useful language:&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
# &amp;#039;&amp;#039;&amp;#039;to some extent&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
# &amp;#039;&amp;#039;&amp;#039;in this case&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
# &amp;#039;&amp;#039;&amp;#039;probably&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
# &amp;#039;&amp;#039;&amp;#039;it seems&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
# &amp;#039;&amp;#039;&amp;#039;I would argue&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
# &amp;#039;&amp;#039;&amp;#039;the evidence suggests&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
# &amp;#039;&amp;#039;&amp;#039;that may be true, but ...&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;BF:&amp;#039;&amp;#039;&amp;#039; Use two of these frames.&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;LF:&amp;#039;&amp;#039;&amp;#039; Combine hedging, concession and a precise limitation without becoming vague.&lt;br /&gt;
&lt;br /&gt;
{{BR}}&lt;br /&gt;
= Politeness: words plus tone =&lt;br /&gt;
&lt;br /&gt;
{{#ev:youtube|   https://www.youtube.com/watch?v=3NM72kTE2oQ   |600|center}}&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Viewing 1:&amp;#039;&amp;#039;&amp;#039; Which linguistic choices make a request less direct?&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Viewing 2:&amp;#039;&amp;#039;&amp;#039; Listen to the speaker&amp;#039;s pitch and stress. Where does the voice sound open, tentative or firm?&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Key point:&amp;#039;&amp;#039;&amp;#039; Politeness is not created by intonation alone. Grammar, vocabulary, context, relationship and prosody work together.&lt;br /&gt;
&lt;br /&gt;
Compare:&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Direct:&amp;#039;&amp;#039;&amp;#039; Send me the notes.  &lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;More negotiated:&amp;#039;&amp;#039;&amp;#039; Could you send me the notes, please?  &lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;More tentative:&amp;#039;&amp;#039;&amp;#039; I was wondering if you could send me the notes.&lt;br /&gt;
&lt;br /&gt;
Do not assume that one pattern is “always polite”. Context matters.&lt;br /&gt;
&lt;br /&gt;
{{#ev:youtube|   https://www.youtube.com/watch?v=5wynL5ttotw   |600|center}}&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Mini discussion:&amp;#039;&amp;#039;&amp;#039; Is politeness mainly about fixed expressions or about how speakers adapt to a situation? Give one reason.&lt;br /&gt;
&lt;br /&gt;
{{BR}}&lt;br /&gt;
= Disagreement without escalation =&lt;br /&gt;
&lt;br /&gt;
{{#ev:youtube|   https://www.youtube.com/watch?v=40LgX2hk3vo   |600|center}}&lt;br /&gt;
&lt;br /&gt;
A strong academic disagreement usually separates &amp;#039;&amp;#039;&amp;#039;idea&amp;#039;&amp;#039;&amp;#039; from &amp;#039;&amp;#039;&amp;#039;person&amp;#039;&amp;#039;&amp;#039;.&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Useful sequence:&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
# acknowledge: “I see why that seems convincing.”&lt;br /&gt;
# qualify: “I am not sure it explains the whole pattern.”&lt;br /&gt;
# disagree: “I would interpret the evidence differently.”&lt;br /&gt;
# support: give a reason or example.&lt;br /&gt;
# reopen: “How would you account for ...?”&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Prosody focus:&amp;#039;&amp;#039;&amp;#039; Do not stress every negative word. Try making the evidence or alternative interpretation prominent instead.&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Less constructive:&amp;#039;&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;NO&amp;#039;&amp;#039;&amp;#039;, that&amp;#039;s wrong.  &lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;More analytic:&amp;#039;&amp;#039;&amp;#039; I see the point, but I would stress the &amp;#039;&amp;#039;&amp;#039;SECOND&amp;#039;&amp;#039;&amp;#039; finding.&lt;br /&gt;
&lt;br /&gt;
{{BR}}&lt;br /&gt;
= Reading: infer stance from context =&lt;br /&gt;
&lt;br /&gt;
The following dialogue is fictional.&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Maya:&amp;#039;&amp;#039;&amp;#039; The school should replace all printed course packs with digital versions next term.&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Leo:&amp;#039;&amp;#039;&amp;#039; I can see the environmental argument, but &amp;#039;&amp;#039;&amp;#039;all&amp;#039;&amp;#039;&amp;#039; is a strong word.&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Maya:&amp;#039;&amp;#039;&amp;#039; So you want to keep everything on paper?&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Leo:&amp;#039;&amp;#039;&amp;#039; Not &amp;#039;&amp;#039;&amp;#039;everything&amp;#039;&amp;#039;&amp;#039;. I am saying we should keep print options for materials that are difficult to annotate digitally.&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Tasks:&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
# What misunderstanding appears in Maya&amp;#039;s second turn?&lt;br /&gt;
# Which word would you stress in Leo&amp;#039;s first reply?&lt;br /&gt;
# Where could a fall-rise support qualification?&lt;br /&gt;
# Rewrite one turn so that the disagreement becomes more precise.&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;BF:&amp;#039;&amp;#039;&amp;#039; Answer with sentence starters: “The misunderstanding is ...”; “I would stress ... because ...”&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;LF:&amp;#039;&amp;#039;&amp;#039; Analyse how lexical choice, contrastive stress and qualification interact across both speakers&amp;#039; turns.&lt;br /&gt;
&lt;br /&gt;
{{BR}}&lt;br /&gt;
= Analyse a pitch display =&lt;br /&gt;
&lt;br /&gt;
[[Datei:Waveform spectrogram and transcription of wikipedia in praat.png|650px|rahmenlos|center]]&lt;br /&gt;
&lt;br /&gt;
The visual shows waveform, spectrogram and transcription in Praat.&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;You do not need specialist phonetics software for the Abi.&amp;#039;&amp;#039;&amp;#039; Use the image to understand that speech has measurable acoustic properties.&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Analysis prompts:&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
# What can a pitch trace show that a transcript cannot?&lt;br /&gt;
# Why can two identical written sentences sound different?&lt;br /&gt;
# Which evidence would you need before claiming that a speaker is sarcastic, doubtful or polite?&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;LF extension:&amp;#039;&amp;#039;&amp;#039; Distinguish between an acoustic observation such as “pitch rises” and an interpretation such as “the speaker sounds uncertain”.&lt;br /&gt;
&lt;br /&gt;
{{BR}}&lt;br /&gt;
= Speaking workshop =&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Scenario: fictional student council meeting&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
A fictional survey of 200 students gives these results:&lt;br /&gt;
# 62% support a phone-free study room.&lt;br /&gt;
# 48% support a longer lunch break.&lt;br /&gt;
# 37% support replacing one weekly homework task with project work.&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Round 1 – BF:&amp;#039;&amp;#039;&amp;#039; Choose one issue. Speak for 60–90 seconds. Use one contrast, one qualification and one polite disagreement.&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Round 1 – LF:&amp;#039;&amp;#039;&amp;#039; Connect at least two issues. Anticipate a counterargument and respond to it.&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Round 2 – interaction:&amp;#039;&amp;#039;&amp;#039; Work in pairs or groups. One person proposes, one qualifies, one challenges. Switch roles.&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Private practice option:&amp;#039;&amp;#039;&amp;#039; Speak to yourself or record locally. No upload is required.&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Prosody card:&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
# EMPHASIS → make one key item prominent.&lt;br /&gt;
# CONTRAST → move stress to the alternative.&lt;br /&gt;
# QUALIFICATION → leave room for a limitation.&lt;br /&gt;
# POLITENESS → avoid a needlessly confrontational delivery.&lt;br /&gt;
# DISAGREEMENT → stress evidence, not the person.&lt;br /&gt;
&lt;br /&gt;
{{BR}}&lt;br /&gt;
= Writing: transfer spoken nuance =&lt;br /&gt;
&lt;br /&gt;
Writing has no audible intonation. You therefore need lexical and grammatical tools.&lt;br /&gt;
&lt;br /&gt;
Spoken: “It &amp;#039;&amp;#039;&amp;#039;CAN&amp;#039;&amp;#039;&amp;#039; work↘↗ in smaller groups.”  &lt;br /&gt;
Written: “The approach can work in smaller groups, although its effectiveness may depend on group size and guidance.”&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Task:&amp;#039;&amp;#039;&amp;#039; Turn three spoken statements into short academic written sentences.&lt;br /&gt;
&lt;br /&gt;
# “That&amp;#039;s &amp;#039;&amp;#039;&amp;#039;NOT&amp;#039;&amp;#039;&amp;#039; what the data shows.”&lt;br /&gt;
# “It is useful↘↗ to a point.”&lt;br /&gt;
# “I &amp;#039;&amp;#039;&amp;#039;DO&amp;#039;&amp;#039;&amp;#039; agree with the aim, but not the method.”&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;BF:&amp;#039;&amp;#039;&amp;#039; Use one concession marker: &amp;#039;&amp;#039;&amp;#039;although, however, while&amp;#039;&amp;#039;&amp;#039;.&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;LF:&amp;#039;&amp;#039;&amp;#039; Vary syntax and register. Keep the claim precise rather than simply making it longer.&lt;br /&gt;
&lt;br /&gt;
{{BR}}&lt;br /&gt;
= Mediation =&lt;br /&gt;
&lt;br /&gt;
The following information is fictional.&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;German source note:&amp;#039;&amp;#039;&amp;#039; Eine Schülergruppe möchte in einer englischsprachigen Partnerschule erklären, warum sie einer vorgeschlagenen Handyregel nur teilweise zustimmt. Sie unterstützt störungsfreie Lernphasen, lehnt aber ein vollständiges Verbot auf dem gesamten Schulgelände ab.&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Task:&amp;#039;&amp;#039;&amp;#039; Mediate the key point in English for a short online meeting. Do not translate word for word. Use:&lt;br /&gt;
# one phrase of agreement,&lt;br /&gt;
# one qualification,&lt;br /&gt;
# one reason,&lt;br /&gt;
# one polite invitation to respond.&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;BF:&amp;#039;&amp;#039;&amp;#039; 3–4 sentences.&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;LF:&amp;#039;&amp;#039;&amp;#039; 5–7 sentences with a clear shift from common ground to qualified disagreement.&lt;br /&gt;
&lt;br /&gt;
{{BR}}&lt;br /&gt;
= Help ladder =&lt;br /&gt;
&lt;br /&gt;
Use help in this order.&lt;br /&gt;
&lt;br /&gt;
# &amp;#039;&amp;#039;&amp;#039;Context:&amp;#039;&amp;#039;&amp;#039; What is happening in the interaction?&lt;br /&gt;
# &amp;#039;&amp;#039;&amp;#039;Visualise:&amp;#039;&amp;#039;&amp;#039; Mark ↗, ↘, CAPITALS and /.&lt;br /&gt;
# &amp;#039;&amp;#039;&amp;#039;Word family:&amp;#039;&amp;#039;&amp;#039; e.g. polite → politely → politeness.&lt;br /&gt;
# &amp;#039;&amp;#039;&amp;#039;English explanation:&amp;#039;&amp;#039;&amp;#039; explain the function in simple English.&lt;br /&gt;
# &amp;#039;&amp;#039;&amp;#039;Dictionary/audio:&amp;#039;&amp;#039;&amp;#039; check pronunciation and usage.&lt;br /&gt;
# &amp;#039;&amp;#039;&amp;#039;Model phrase:&amp;#039;&amp;#039;&amp;#039; borrow a structure, not a whole answer.&lt;br /&gt;
# &amp;#039;&amp;#039;&amp;#039;German help:&amp;#039;&amp;#039;&amp;#039; only if meaning is still unclear.&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;BF scaffolds:&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
# “I see your point, but ...”&lt;br /&gt;
# “I would stress the word ... because ...”&lt;br /&gt;
# “The fall-rise suggests that ... may follow.”&lt;br /&gt;
# “The claim is limited by ...”&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;LF scaffolds:&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
# “The prominence shifts the informational focus from ... to ...”&lt;br /&gt;
# “The intonation contour reinforces a qualified stance by ...”&lt;br /&gt;
# “The acoustic feature is observable; the pragmatic interpretation remains context-dependent.”&lt;br /&gt;
&lt;br /&gt;
{{BR}}&lt;br /&gt;
= Feedback and error analysis =&lt;br /&gt;
&lt;br /&gt;
Use feedback that describes a communicative effect.&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
! Observation&lt;br /&gt;
! Likely problem&lt;br /&gt;
! Revision move&lt;br /&gt;
|-&lt;br /&gt;
| Every content word is strongly stressed.&lt;br /&gt;
| No clear hierarchy of information.&lt;br /&gt;
| Choose one main prominence per thought group.&lt;br /&gt;
|-&lt;br /&gt;
| Every statement ends in a rise.&lt;br /&gt;
| Turns may sound unfinished or questioning.&lt;br /&gt;
| Decide whether the turn is complete, open or qualified.&lt;br /&gt;
|-&lt;br /&gt;
| “No” and “wrong” carry the strongest stress.&lt;br /&gt;
| Disagreement may sound confrontational.&lt;br /&gt;
| Shift prominence to evidence or an alternative.&lt;br /&gt;
|-&lt;br /&gt;
| Hedging is used in every sentence.&lt;br /&gt;
| The position becomes vague.&lt;br /&gt;
| Qualify only where the evidence or context requires it.&lt;br /&gt;
|-&lt;br /&gt;
| A pitch movement is directly labelled “sarcastic”.&lt;br /&gt;
| Interpretation is too certain.&lt;br /&gt;
| Separate observation from contextual interpretation.&lt;br /&gt;
|-&lt;br /&gt;
| The speaker copies an accent instead of communicating.&lt;br /&gt;
| Form replaces function.&lt;br /&gt;
| Prioritise intelligibility, purpose and interaction.&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Peer feedback frame:&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
# “Your main point was clear when you stressed ...”&lt;br /&gt;
# “The disagreement sounded constructive because ...”&lt;br /&gt;
# “One place to make the qualification clearer is ...”&lt;br /&gt;
# “Try changing the pitch movement on ... and compare the effect.”&lt;br /&gt;
&lt;br /&gt;
{{BR}}&lt;br /&gt;
= Transfer: same words, new situation =&lt;br /&gt;
&lt;br /&gt;
Use the sentence &amp;#039;&amp;#039;&amp;#039;That could work.&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
Say it as:&lt;br /&gt;
# genuine approval,&lt;br /&gt;
# cautious approval,&lt;br /&gt;
# doubtful qualification,&lt;br /&gt;
# polite disagreement before a counterpoint,&lt;br /&gt;
# surprised reconsideration.&lt;br /&gt;
&lt;br /&gt;
Then explain which changes came from &amp;#039;&amp;#039;&amp;#039;stress&amp;#039;&amp;#039;&amp;#039;, which from &amp;#039;&amp;#039;&amp;#039;pitch&amp;#039;&amp;#039;&amp;#039;, and which required extra wording.&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;LF extension:&amp;#039;&amp;#039;&amp;#039; Explain why there is no one-to-one mapping between a contour and a meaning.&lt;br /&gt;
&lt;br /&gt;
{{BR}}&lt;br /&gt;
= Abi-Check Baden-Württemberg =&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Checked for the school year 2026/27 and Abitur 2027.&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
For the present Kursstufe cohort, the official Abitur 2027 documents refer to the &amp;#039;&amp;#039;&amp;#039;Bildungsplan 2016&amp;#039;&amp;#039;&amp;#039; for English. The revised V3.0 plan that entered into force in August 2026 starts with younger cohorts; the previous plan continues for students who entered the relevant classes earlier.&lt;br /&gt;
&lt;br /&gt;
The official English standards for the Kursstufe explicitly include &amp;#039;&amp;#039;&amp;#039;Aussprache und Intonation&amp;#039;&amp;#039;&amp;#039;. Learners are expected to vary intonation according to the speaking situation and to express nuances of meaning. Basisfach and Leistungsfach differ especially in complexity, breadth, depth and independence of work.&lt;br /&gt;
&lt;br /&gt;
For the &amp;#039;&amp;#039;&amp;#039;Leistungsfach Abitur 2027&amp;#039;&amp;#039;&amp;#039;, the written examination includes a listening part and a writing part, and the regulations include a &amp;#039;&amp;#039;&amp;#039;mündlicher Teil – Kommunikationsprüfung&amp;#039;&amp;#039;&amp;#039;. In the &amp;#039;&amp;#039;&amp;#039;Basisfach&amp;#039;&amp;#039;&amp;#039;, the qualification phase includes assessed monologic and dialogic contributions and the provisions for the oral Abitur apply where relevant.&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Official sources – always re-check for your own examination year:&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
# [https://km.baden-wuerttemberg.de/de/schule/gymnasium/termine-und-informationen-zum-abitur Kultusministerium Baden-Württemberg: Termine und Informationen zum Abitur]&lt;br /&gt;
# [https://km.baden-wuerttemberg.de/fileadmin/redaktion/m-km/intern/PDF/Dateien/Gymnasium/Dokumente_Abitur/Abitur_2027/Facherlass_2027_Stand_09.09.2025.pdf Facherlass Abitur 2027]&lt;br /&gt;
# [https://www.bildungsplaene-bw.de/,Lde/BP2016BW_ALLG_GYM_BFOE_IK_11-12-BF_03_09 Bildungsplan Englisch Basisfach: Aussprache und Intonation]&lt;br /&gt;
# [https://www.bildungsplaene-bw.de/,Lde/BP2016BW_ALLG_GYM_E1_IK_11-12-LF_03_09 Bildungsplan Englisch Leistungsfach: Aussprache und Intonation]&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Abi self-check:&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
# Can I identify the communicative function before naming a prosodic feature?&lt;br /&gt;
# Can I support an interpretation with wording and vocal evidence?&lt;br /&gt;
# Can I distinguish observation from interpretation?&lt;br /&gt;
# Can I disagree while keeping the discussion focused on the issue?&lt;br /&gt;
# Can I move from prepared speaking to spontaneous interaction?&lt;br /&gt;
# Can I use intonation purposefully without exaggerating every sentence?&lt;br /&gt;
&lt;br /&gt;
{{BR}}&lt;br /&gt;
= Follow-on course =&lt;br /&gt;
&lt;br /&gt;
Continue with [[ABI - Strategic interaction in the communication exam]].&lt;br /&gt;
&lt;br /&gt;
Suggested next steps:&lt;br /&gt;
# spontaneous turn-taking,&lt;br /&gt;
# clarifying and reformulating,&lt;br /&gt;
# handling counterarguments,&lt;br /&gt;
# linking evidence across materials,&lt;br /&gt;
# recovering after misunderstanding,&lt;br /&gt;
# self-monitoring without losing fluency.&lt;br /&gt;
&lt;br /&gt;
{{BR}}&lt;br /&gt;
= Interaktive Aufgaben =&lt;br /&gt;
&lt;br /&gt;
{{BR}}&lt;br /&gt;
== Quiz: Teste Dein Wissen ==&lt;br /&gt;
&lt;br /&gt;
{{MC}}&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;What does contrastive stress mainly help a speaker do?&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
(Highlight an alternative or correction)&lt;br /&gt;
(!Make every word equally strong)&lt;br /&gt;
(!Replace vocabulary completely)&lt;br /&gt;
(!Avoid all pauses)&lt;br /&gt;
&lt;br /&gt;
{{E}}&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
{{MC}}&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Which description best fits intonation?&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
(Variation in pitch across spoken language)&lt;br /&gt;
(!The spelling of stressed words)&lt;br /&gt;
(!The number of words in a sentence)&lt;br /&gt;
(!A fixed accent that never changes)&lt;br /&gt;
&lt;br /&gt;
{{E}}&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
{{MC}}&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Which utterance most clearly contains qualification?&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
(It may work in smaller groups)&lt;br /&gt;
(!It always works everywhere)&lt;br /&gt;
(!It is completely wrong)&lt;br /&gt;
(!There is no limitation)&lt;br /&gt;
&lt;br /&gt;
{{E}}&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
{{MC}}&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;What should you normally do before using German help in this course?&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
(Use context and an English explanation first)&lt;br /&gt;
(!Translate every word immediately)&lt;br /&gt;
(!Skip the media)&lt;br /&gt;
(!Copy a full model answer)&lt;br /&gt;
&lt;br /&gt;
{{E}}&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
{{MC}}&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;What is a useful strategy in constructive disagreement?&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
(Stress the evidence or alternative)&lt;br /&gt;
(!Stress the other person&amp;#039;s name)&lt;br /&gt;
(!Speak louder throughout)&lt;br /&gt;
(!Avoid giving reasons)&lt;br /&gt;
&lt;br /&gt;
{{E}}&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
{{MC}}&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Why can the same written sentence have different meanings in speech?&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
(Stress and pitch can change the focus and stance)&lt;br /&gt;
(!Spelling automatically changes)&lt;br /&gt;
(!Grammar disappears in speech)&lt;br /&gt;
(!Every speaker uses identical prosody)&lt;br /&gt;
&lt;br /&gt;
{{E}}&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
{{MC}}&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;What is the safest analytical claim?&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
(The pitch rises, which may signal an open or questioning stance in context)&lt;br /&gt;
(!A rise always proves sarcasm)&lt;br /&gt;
(!A fall always proves anger)&lt;br /&gt;
(!Intonation has one fixed meaning)&lt;br /&gt;
&lt;br /&gt;
{{E}}&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
{{MC}}&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Which option is a hedging expression?&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
(To some extent)&lt;br /&gt;
(!Never under any circumstances)&lt;br /&gt;
(!Absolutely always)&lt;br /&gt;
(!No discussion)&lt;br /&gt;
&lt;br /&gt;
{{E}}&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
{{MC}}&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;What is a sensible BF/LF difference in this course?&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
(LF connects more complex material and works more independently)&lt;br /&gt;
(!BF has no speaking tasks)&lt;br /&gt;
(!LF does not need support)&lt;br /&gt;
(!BF only translates into German)&lt;br /&gt;
&lt;br /&gt;
{{E}}&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
{{MC}}&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;What is the best use of AI in this aiMOOC?&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
(Check limited feedback critically while keeping your own analysis and writing)&lt;br /&gt;
(!Generate a complete replacement essay)&lt;br /&gt;
(!Upload private recordings automatically)&lt;br /&gt;
(!Accept every correction without checking)&lt;br /&gt;
&lt;br /&gt;
{{E}}&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
{{BR}}&lt;br /&gt;
== Memory ==&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div class=&amp;quot;memo-quiz&amp;quot;&amp;gt;&lt;br /&gt;
{|&lt;br /&gt;
|-&lt;br /&gt;
| prominence || what stands out in speech&lt;br /&gt;
|-&lt;br /&gt;
| qualification || limiting a claim&lt;br /&gt;
|-&lt;br /&gt;
| hedging || reducing certainty or directness&lt;br /&gt;
|-&lt;br /&gt;
| contrastive stress || highlighting an alternative&lt;br /&gt;
|-&lt;br /&gt;
| pitch contour || movement of vocal pitch&lt;br /&gt;
|-&lt;br /&gt;
| concession || acknowledging part of another view&lt;br /&gt;
|-&lt;br /&gt;
| turn-taking || managing who speaks next&lt;br /&gt;
|-&lt;br /&gt;
| stance || a speaker&amp;#039;s position or attitude&lt;br /&gt;
|}&lt;br /&gt;
{{E}}&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
{{BR}}&lt;br /&gt;
== Drag and Drop ==&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div class=&amp;quot;lueckentext-quiz&amp;quot;&amp;gt;&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; &lt;br /&gt;
! Ordne die richtigen Begriffe zu.&lt;br /&gt;
! Thema&lt;br /&gt;
|-&lt;br /&gt;
| &amp;#039;&amp;#039;&amp;#039;Emphasis&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
| making one point especially important&lt;br /&gt;
|-&lt;br /&gt;
| &amp;#039;&amp;#039;&amp;#039;Contrast&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
| highlighting one option against another&lt;br /&gt;
|-&lt;br /&gt;
| &amp;#039;&amp;#039;&amp;#039;Qualification&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
| making a claim more limited or precise&lt;br /&gt;
|-&lt;br /&gt;
| &amp;#039;&amp;#039;&amp;#039;Politeness&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
| managing social relations appropriately&lt;br /&gt;
|-&lt;br /&gt;
| &amp;#039;&amp;#039;&amp;#039;Disagreement&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
| expressing a different view&lt;br /&gt;
|-&lt;br /&gt;
| &amp;#039;&amp;#039;&amp;#039;Prominence&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
| making part of an utterance stand out&lt;br /&gt;
&lt;br /&gt;
|}&lt;br /&gt;
{{E}}&lt;br /&gt;
&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;br /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
{{BR}}&lt;br /&gt;
== Kreuzworträtsel ==&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div class=&amp;quot;kreuzwort-quiz&amp;quot;&amp;gt;&lt;br /&gt;
{|&lt;br /&gt;
|-&lt;br /&gt;
| Prominence || What makes one part of an utterance stand out perceptually?&lt;br /&gt;
|-&lt;br /&gt;
| Hedging || What term describes reducing certainty or directness?&lt;br /&gt;
|-&lt;br /&gt;
| Contrast || What function highlights one option against another?&lt;br /&gt;
|-&lt;br /&gt;
| Intonation || What term describes pitch movement in spoken language?&lt;br /&gt;
|-&lt;br /&gt;
| Politeness || What concept concerns socially appropriate interaction?&lt;br /&gt;
|-&lt;br /&gt;
| Qualification || What process limits or makes a claim more precise?&lt;br /&gt;
|}&lt;br /&gt;
{{E}}&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
{{BR}}&lt;br /&gt;
== LearningApps ==&lt;br /&gt;
&lt;br /&gt;
&amp;lt;iframe&amp;gt; https://learningapps.org/index.php?s=ABI+-+Intonation+for+argument+and+interaction &amp;lt;/iframe&amp;gt;&lt;br /&gt;
&lt;br /&gt;
{{BR}}&lt;br /&gt;
== Lückentext ==&lt;br /&gt;
&lt;br /&gt;
&amp;lt;quiz display=simple&amp;gt;&lt;br /&gt;
{&amp;#039;&amp;#039;&amp;#039;Vervollständige den Text.&amp;#039;&amp;#039;&amp;#039;&amp;lt;br&amp;gt;&lt;br /&gt;
|type=&amp;quot;{}&amp;quot;}&lt;br /&gt;
In spoken interaction, { intonation } refers mainly to changes in pitch. A word that stands out perceptually has greater { prominence }. Moving stress to another word can create { contrast }. A speaker can make a claim less absolute through { qualification }. Expressions such as “perhaps” or “to some extent” are forms of { hedging }. Constructive disagreement should focus on the { issue } rather than attacking a person. A pitch rise is an acoustic { observation } before it becomes a pragmatic interpretation. In the BF, learners receive more { scaffolding }. In the LF, learners connect material with greater { independence }. AI feedback should always be { checked } by the learner.&lt;br /&gt;
&amp;lt;/quiz&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
{{BR}}&lt;br /&gt;
= Offene Aufgaben =&lt;br /&gt;
&lt;br /&gt;
{{BR}}&lt;br /&gt;
=== Leicht ===&lt;br /&gt;
&lt;br /&gt;
# [[Stress markieren]]: Markiere in fünf kurzen selbst erfundenen Sätzen jeweils das Wort, das bei einer Korrektur den Hauptakzent tragen soll.&lt;br /&gt;
# [[Pitch arrows]]: Schreibe sechs kurze Äußerungen und ergänze ↗, ↘ oder ↘↗. Begründe jeweils in einem Satz die gewünschte Wirkung.&lt;br /&gt;
# [[Polite reformulation]]: Formuliere vier sehr direkte Aussagen so um, dass sie für eine sachliche Diskussion geeigneter sind.&lt;br /&gt;
# [[Shadowing]]: Wähle höchstens 20 Sekunden aus einem eingebetteten Lernvideo, sprich privat nach und notiere zwei Unterschiede zwischen Original und eigener Version.&lt;br /&gt;
&lt;br /&gt;
{{BR}}&lt;br /&gt;
=== Standard ===&lt;br /&gt;
&lt;br /&gt;
# [[Mini-Debatte]]: Führe eine zweiminütige Debatte zu einem fiktiven Schulvorschlag. Nutze Emphasis, Contrast, Qualification und ein höfliches Disagreement.&lt;br /&gt;
# [[Prosody annotation]]: Erstelle zu einem kurzen selbst geschriebenen Dialog eine Annotation mit CAPITALS, ↗, ↘, ↘↗ und /.&lt;br /&gt;
# [[Feedback geben]]: Höre einer freiwilligen Partnerleistung zu und gib funktionsbezogenes Feedback zu Prominence, Intonation und Interaction.&lt;br /&gt;
# [[Writing transfer]]: Verwandle fünf gesprochene, prosodisch markierte Aussagen in präzise schriftliche Formulierungen ohne Prosodiezeichen.&lt;br /&gt;
&lt;br /&gt;
{{BR}}&lt;br /&gt;
=== Schwer ===&lt;br /&gt;
&lt;br /&gt;
# [[Interaction analysis]]: Analysiere einen kurzen öffentlich zugänglichen Interviewausschnitt aus einer seriösen Quelle. Unterscheide beobachtbare Prosodie von interpretierter Haltung.&lt;br /&gt;
# [[BF-LF comparison]]: Entwickle dieselbe Sprechaufgabe einmal mit BF-Scaffolding und einmal als LF-Aufgabe mit stärkerer Materialverknüpfung und AFB II/III.&lt;br /&gt;
# [[Mediation task]]: Erstelle ein fiktives deutschsprachiges Briefing und vermittle dessen Kernaussage in einer englischen Diskussion, ohne wörtlich zu übersetzen.&lt;br /&gt;
# [[Abi simulation]]: Simuliere eine fünfminütige Kommunikationssituation mit Position, Gegenargument, Rückfrage, Qualifikation und abschließendem Fazit; reflektiere danach zwei gelungene und zwei verbesserungsfähige Stellen.&lt;br /&gt;
&lt;br /&gt;
{{:Offene Aufgabe - MOOC erstellen}}&lt;br /&gt;
&lt;br /&gt;
{{BR}}&lt;br /&gt;
= Lernkontrolle =&lt;br /&gt;
&lt;br /&gt;
# [[Prosodie und Bedeutung]]: Du hörst zwei Versionen derselben Aussage. Erkläre, wie sich der kommunikative Fokus durch veränderte Prominence verschiebt, und nenne mindestens eine alternative Interpretation.&lt;br /&gt;
# [[Kontextabhängigkeit]]: Entwickle zwei Situationen, in denen dieselbe fall-rise-Kontur unterschiedlich verstanden werden könnte. Begründe den Unterschied über Beziehung, Wortlaut und Gesprächsziel.&lt;br /&gt;
# [[Transfer in Schrift]]: Überführe eine gesprochene, stark prosodisch markierte Meinungsäußerung in einen schriftlichen Absatz, ohne Bedeutungsnuancen zu verlieren.&lt;br /&gt;
# [[Konfliktlösung]]: Überarbeite einen eskalierenden Dialog so, dass beide Seiten weiterhin klar widersprechen, aber stärker auf Evidenz und gemeinsame Ziele fokussieren.&lt;br /&gt;
# [[Dateninterpretation]]: Nutze fiktive Umfragedaten, formuliere eine begründete Position und baue bewusst eine Qualifikation ein, die die Grenzen der Daten berücksichtigt.&lt;br /&gt;
# [[Fehlerdiagnose]]: Analysiere eine Lernendenäußerung mit gleichmäßig starkem Stress und ständigem final rise. Erkläre mögliche Verständlichkeitsprobleme und plane zwei konkrete Übungsschritte.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
{{BR}}&lt;br /&gt;
= Lernnachweis =&lt;br /&gt;
&lt;br /&gt;
For a successful learning record, you should be able to:&lt;br /&gt;
&lt;br /&gt;
# identify main prominence in a short spoken utterance.&lt;br /&gt;
# distinguish rise, fall and fall-rise at a functional level.&lt;br /&gt;
# explain how stress can create emphasis or contrast.&lt;br /&gt;
# use qualification without becoming vague.&lt;br /&gt;
# disagree politely while keeping a clear position.&lt;br /&gt;
# separate acoustic observation from pragmatic interpretation.&lt;br /&gt;
# adapt support and complexity to BF or LF expectations.&lt;br /&gt;
# transfer spoken nuance into appropriate written language.&lt;br /&gt;
# use feedback to revise your own speaking.&lt;br /&gt;
# document sources and verify AI-supported information independently.&lt;br /&gt;
&lt;br /&gt;
A suitable learning record may combine a short annotated dialogue, a brief interaction task and a reflection. A recording is optional and may remain private.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
{{BR}}&lt;br /&gt;
= OERs zum Thema =&lt;br /&gt;
&lt;br /&gt;
&amp;lt;iframe&amp;gt; https://en.m.wikipedia.org/wiki/Intonation_(linguistics) &amp;lt;/iframe&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Useful open or freely accessible follow-up resources:&lt;br /&gt;
# [[Prosody]]&lt;br /&gt;
# [[Sentence stress]]&lt;br /&gt;
# [[International Phonetic Alphabet]]&lt;br /&gt;
# [[Pragmatics]]&lt;br /&gt;
# [[Conversation analysis]]&lt;br /&gt;
&lt;br /&gt;
The Wikimedia Commons media embedded in this course are linked from their file pages. YouTube materials are embedded as external learning media rather than copied. Do not reproduce full copyrighted transcripts or film sequences.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
{{BR}}&lt;br /&gt;
= Verknüpfte Lernbereiche =&lt;br /&gt;
&lt;br /&gt;
{| align=center&lt;br /&gt;
{{:D-Tab}}&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;[[ABI - Intonation for argument and interaction]]&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
# [[Intonation]]&lt;br /&gt;
# [[Sentence stress]]&lt;br /&gt;
# [[Prominence]]&lt;br /&gt;
# [[Emphasis]]&lt;br /&gt;
# [[Contrast]]&lt;br /&gt;
# [[Qualification]]&lt;br /&gt;
# [[Politeness]]&lt;br /&gt;
# [[Disagreement]]&lt;br /&gt;
# [[Pragmatics]]&lt;br /&gt;
# [[Listening comprehension]]&lt;br /&gt;
# [[Speaking]]&lt;br /&gt;
# [[Communication exam]]&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
[[Kategorie:Englisch]]&lt;br /&gt;
[[Kategorie:Abitur]]&lt;br /&gt;
[[Kategorie:Baden-Württemberg]]&lt;br /&gt;
[[Kategorie:Kursstufe]]&lt;br /&gt;
[[Kategorie:Basisfach]]&lt;br /&gt;
[[Kategorie:Leistungsfach]]&lt;br /&gt;
[[Kategorie:B2]]&lt;br /&gt;
[[Kategorie:C1]]&lt;br /&gt;
[[Kategorie:Aussprache]]&lt;br /&gt;
[[Kategorie:Intonation]]&lt;br /&gt;
[[Kategorie:Kommunikation]]&lt;br /&gt;
[[Kategorie:Pragmatik]]&lt;br /&gt;
[[Kategorie:Medienbildung]]&lt;br /&gt;
[[Kategorie:Klasse 11-13]]&lt;br /&gt;
&lt;br /&gt;
{{BR}}&lt;br /&gt;
= aiMOOC-Projekte =&lt;br /&gt;
[[Kategorie:AI_MOOC]] [[Kategorie:GPT aiMOOC]]&lt;br /&gt;
{{MT}}&lt;/div&gt;</summary>
		<author><name>Glanz</name></author>
	</entry>
</feed>